Daniel Salvi (1994 –)
At last, the Rain Came
Milano
Year
2023
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Edition
Single Piece (1 of 1)
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Description
Mixed Media Digital Art
Print on certified museum cotton paper
80 x 120 cm (unframed dimensions)
​
Signed by the artist (printed, lower right)
Signed authenticity certificate, hologram, and series number
​
Handpainted modernist white frame with spacer
and prestigious museum glass 99%
Price
Upon Request
Exhibition price ends on 31.05.24 h. 00:00
Audio comment to the artwork
More Details
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At last, the Rain Came
by Daniel Salvi (1994 –)
2023
​
Edition
Single Piece (1 of 1)
​
Description
Mixed Media Digital Art
Print on certified museum cotton paper
80 x 120 cm (unframed dimensions)
​
Signed by the artist (printed, lower right)
Signed authenticity certificate,
hologram, and series number
​
Handpainted modernist white frame with spacer
and prestigious museum glass 99%
​
Condition Report
Perfect Conditions, New
Provenance
The Artist
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Exhibited
Milan, Lynk & Co Milan Club, "Goddesses & Muses"
Exhibition by Daniel Salvi, December 2023,
no. 1 (lent by the Artist).
Moka Museum, Decentraland, "Goddesses & Muses"
Exhibition by Daniel Salvi, January-February 2024,
no. 1 (lent by the Artist).
Nerviano, Sala Bergognone, "Dee & Muse - In Dialogo con Bergnognone" - Solo Exhibition, May 2024 (lent by the Artist)
Price
Upon Request
Price ends on 31.05.24 h. 00:00
Catalogue Note
In "At Last, the Rain Came," we witness a visual elegy that articulates the end of an amour with profound sensitivity.
The subject, a young woman, is set against a tempestuous sky, a classical portent of change. Her gaze is not one of despair, but of a stoic acceptance of the inevitable, lending her dignity amidst the brewing storm.
The choice of vines is a poignant one, for they can represent both the wild, untamed growth of passion and the binding ties of a love that once sheltered but now suffocates, that once nurtured but now constrains. The vines, clinging and inescapable, are as much a part of her as her flowing hair, signifying that the feelings she wears are as natural and intrinsic as the leaves and tendrils that surround her.
The only rain to grace her visage is the woman's tear; her solemn lament echoes the ones of the goddesses and nymphs of yore: she is a new Ariadne abandoned, a new Echo left in her solitude.
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This piece is not merely a representation of grief but a complex narrative of love's lifecycle—its vivacious growth, its ensnaring complications, and its eventual, unavoidable cessation.
It is a meditation on the duality of love: as much a source of anguish as of joy, as much about release as about holding on.
"At Last, the Rain Came" serves as a visual metaphor for the catharsis of letting go, a silent soliloquy that speaks to the enduring human experience of parting and the bittersweet release found therein.
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About the Artist, Daniel Salvi
Daniel Salvi is a visionary artist at the forefront of digital graphic design and AI artistry.
His journey began in adolescence, marked by a profound ability to communicate emotions visually, and the winning of numerous graphic design contests. Salvi's passion for visual communication led him to the Polytechnic University of Milan, where he not only earned a Master’s Degree in Communication Design but also contributed as a Guest Lecturer and Teaching Assistant, even before graduation.
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In 2016, Salvi's ambition materialized into his own advertising agency, "Daniel Salvi - Branding & Design Consulting", marking his entry into the world of international communication projects. Salvi's career took a significant turn in 2018 when he became the assistant and direct student of Armando Milani, then President of Alliance Graphique Internationale Italy. This mentorship opened doors to participate in the organization of the acclaimed “UBUNTU” exhibition at the MUBA Museum in Milan. Here, Salvi’s works were displayed alongside creations of renowned international designers like Milton Glaser and Massimo Vignelli.
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Since 2023, Salvi has ventured into the realm of artistic visualizations, where he fuses his creativity with AI technology to explore human emotions and the unconscious. His innovative work in this field is not just a continuation of his artistic journey but a pioneering effort in the evolving landscape of digital art, establishing him as a leading figure in the intersection of technology, design, and emotional expression.
About "Goddesses & Muses"
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Daniel Salvi creates an ode to humanity, according to the manifestation he considers the purest, most vital, universal, and full of wonder: the feminine.
The “Goddesses” are a series that Daniel Salvi dedicates to works that portray one of the most recurring subjects in his oeuvre, the female figure, flourishing in metaphysical spaces devoid of any temporal context.
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The “Timelessness” at the base of every aspect of Daniel Salvi’s work takes shape in visualizations that center on subjects immortal through the ages, such as emotions, human passions, and ancient European and Middle Eastern mythologies, upon which the very archetypes of every story have been built.
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In the eyes of these “Goddesses,” the strongest emotions pass—revenge, abandonment, betrayal, ecstasy—yet they transmit them with grace and composure, avoiding becoming prey to impulses and instead becoming their universal vehicle, in which every person can identify.
From darkness and obscurity,
from sleep and from the smoke of clouds—elements that since the time of the Odyssey represent the manifestation of the mystical and the incomprehensible—emerge the faces of the goddesses, emanating an often unreal light, as if projected or emitted by the subject themselves:
they are the Suns and Moons of these microcosms cut off from time and space. Everything exists through them, for them, in that single eternal moment of action.
For this reason, every element is suspended and immobile, every subject is statuesque, stable, and rooted, quiet and waiting.The gazes of the Goddesses, when open and visible, represent the only way to escape these closed spaces, infinitely expandable yet suffocating:
they look at the observer without hesitation, implicating them, creating a bridge and a dialogue between their world and ours, between the immutable suspended and the dynamically changing.
The “Goddesses” are unique planets that the observer, becoming themselves a presence outside of any reality, can visit at their leisure, thereby immediately evoking the emotions that have given them image.
This Artwork is part of the artist's 4th Solo Exhibition
This Piece will appear in Daniel Salvi's "Goddesses & Muses , Oblivion" exhibition in Milan, Italy.
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The Exhibition will take place from 10.05.24 to 31.05.24, at the Corals Art Gallery of Via Evangelista Torricelli 21 (Milan)
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The Piece can be directly picked up on 31.05.24 from the exhibition point and can be shipped from 1.06.24
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The exhibition will be a great opportunity for fine art collectors and lovers to discover the emergent art of Daniel Salvi at his Solo Exhibition: reserving this Artwork before its start is granting an exclusive pricing option and advantage on the buyers during the exhibition time.
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Daniel Salvi (1994 –)
At Last, the Rain Came
Milano
Year
2023
​
Edition
Single Piece (1 of 1)
​
Description
Mixed Media Digital Art
Print on certified museum cotton paper
80 x 120 cm (unframed)
​
Signed by the artist (printed, lower right)
Signed authenticity certificate, hologram, and series number
​
Handpainted modernist white frame with spacer
and prestigious museum glass 99%
Price
Upon Request
Price ends on 31.05.24 h. 00:00
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Contact
Daniel Salvi
Milan, Italy
Viale Giovanni XXIII n.21
20014 Nerviano
(Milan, Italy)
© 2023 Daniel Salvi Art. All Rights Reserved.