Daniel Salvi (B. 1994)
At last, the Rain Came
Dimensions
88 x 128 x 8 cm (framed)
Description
Mixed Media Digital Art
Fine Art Print on cotton paper
Signed by the artist (printed, lower right)
Sold framed
Edition
Single Piece (1 of 1)
Year
2023
Price
Upon Request
Audio comment to the artwork
DETAILS
DANIEL SALVI (B. 1994)
At last, the Rain Came
Signed by the artist (printed, lower right)
Mixed Media Digital Art
Fine Art Print on cotton paper
Single Piece (1 of 1)
88 x 128 x 8 cm (framed)
80 x 120 cm (unframed)
Executed in 2023
Sold with handpainted frame with spacer and museum glass
Authenticity certificate signed by the artist.
Condition Report
Perfect Conditions, New
Provenance
The Artist
Exhibited
Milan, Lynk & Co Milan Club, "Goddesses & Muses"
Exhibition by Daniel Salvi, December 2023,
no. 1 (lent by the Artist).
Moka Museum, Decentraland, "Goddesses & Muses"
Exhibition by Daniel Salvi, January-February 2024,
no. 1 (lent by the Artist).
Nerviano, Sala Bergognone, "Dee & Muse - In Dialogo con Bergnognone" - Solo Exhibition, May 2024 (lent by the Artist)
Milan, Coral Gallery, "Goddesses & Muses - Oblivion" Solo Exhibition, May 2024, no. 1 (lent by the Artist)
Price
Upon Request
CATALOGUE NOTE
"At last, the Rain Came,
but it's just another tear"
In "At Last, the Rain Came," we witness a visual elegy that articulates the end of alove with profound sensitivity.
The subject, a young woman, is set against a tempestuous sky, a classical portent of change. Her gaze is not one of despair, but of a stoic acceptance of the inevitable, lending her dignity amidst the brewing storm.
The choice of vines is a poignant one, for they can represent both the wild, untamed growth of passion and the binding ties of a love that once sheltered but now suffocates, that once nurtured but now constrains.
The vines, clinging and inescapable, are as much a part of her as her flowing hair, signifying that the feelings she wears are as natural and intrinsic as the leaves and tendrils that surround her.
The only rain to grace her visage is the woman's tear; her solemn lament echoes the ones of the goddesses and nymphs of yore: she is a new Ariadne abandoned, a new Echo left in her solitude.
This piece is not merely a representation of grief but a complex narrative of love's lifecycle—its vivacious growth, its ensnaring complications, and its eventual, unavoidable cessation.
It is a meditation on the duality of love: as much a source of anguish as of joy, as much about release as about holding on.
"At Last, the Rain Came" serves as a visual metaphor for the catharsis of letting go, a silent soliloquy that speaks to the enduring human experience of parting and the bittersweet release found therein.
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