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Mother of Pearl

Mother of Pearl

€370.00Price
  • Year

    2023

  • Edition

    1:10, Series of 10, numbered

  • Dimensions

    40 x 60 cm (unframed dimensions)

  • Description

    Mixed Media Digital Art

    Print on certified museum cotton paper

    Signed by the artist (printed, lower left), Numbered behind.

    Signed authenticity certificate, hologram, and series number

    Sold Unframed

    ​Available (upon request) with Hand painted modernist white frame with spacer and prestigious museum glass 99%

  • Condition Report

    Perfect Conditions, New

  • Provenance

    The Artist

  • Exhibited

    Milan, Lynk & Co Milan Club, "Goddesses & Muses" Exhibition by Daniel Salvi, December 2023, no. 3 (lent by the Artist).

    Moka Museum, Decentraland,  "Goddesses & Muses" Exhibition by Daniel Salvi, January-February 2024, no. 3 (lent by the Artist).

THE ARTIST, DANIEL SALVI (Italy, 1994 –)

 

Artist and graphic designer Daniel Salvi opened his own advertising agency at the age of 21, creating international campaigns for Europe, Latin America, and China.

 

After graduating from the Politecnico Milan University, he became in 2018 the assistant and direct student of the famous designer Armando Milani, under whose artistic direction he organized the "Ubuntu" exhibition at the MUBA Museum in Milan: here, some of his works were displayed alongside those of Milton Glaser and Massimo Vignelli.

 

From that same year, he was called upon as a guest lecturer at major universities in Milan and worked as a public speaker.

 

From 2021, he became the Brand Communication Officer for the international association "Colors for Peace," with which he created an awareness campaign that facilitated the shipment of 21 trucks of humanitarian aid at the outbreak of the war in Ukraine.

 

With the association, he participated in exhibitions organized at the Pantheon, the Colosseum, and the Italian Government.

 

Starting in 2023, he began the series of "Goddesses and Muses" through which he explores the depth of human nature, in what he considers its purest, most vital, and universal expression: the feminine.

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About "Goddesses & Muses"

Daniel Salvi creates an ode to humanity, according to the manifestation he considers the purest, most vital, universal, and full of wonder: the feminine.


The “Goddesses” are a series that Daniel Salvi dedicates to works that portray one of the most recurring subjects in his oeuvre, the female figure, flourishing in metaphysical spaces devoid of any temporal context.

The “Timelessness” at the base of every aspect of Daniel Salvi’s work takes shape in visualizations that center on subjects immortal through the ages, such as emotions, human passions, and ancient European and Middle Eastern mythologies, upon which the very archetypes of every story have been built.

In the eyes of these “Goddesses,” the strongest emotions pass—revenge, abandonment, betrayal, ecstasy—yet they transmit them with grace and composure, avoiding becoming prey to impulses and instead becoming their universal vehicle, in which every person can identify.

 

From darkness and obscurity,
from sleep and from the smoke of clouds—elements that since the time of the Odyssey represent the manifestation of the mystical and the incomprehensible—emerge the faces of the goddesses, emanating an often unreal light, as if projected or emitted by the subject themselves:

 

they are the Suns and Moons of these microcosms cut off from time and space. Everything exists through them, for them, in that single eternal moment of action. 

 

For this reason, every element is suspended and immobile, every subject is statuesque, stable, and rooted, quiet and waiting.The gazes of the Goddesses, when open and visible, represent the only way to escape these closed spaces, infinitely expandable yet suffocating:

 

they look at the observer without hesitation, implicating them, creating a bridge and a dialogue between their world and ours, between the immutable suspended and the dynamically changing.

 

The “Goddesses” are unique planets that the observer, becoming themselves a presence outside of any reality, can visit at their leisure, thereby immediately evoking the emotions that have given them image.

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